William Blake, Los Entering the Grave, 1804-20, etching with pen, watercolor and gold, 146 x 222 mm (Yale Center for British Art, New Haven, CT, USA)
William Blake, Los, 1804-20, etching with pen, watercolor and gold, 146 x 222 mm (Yale Center for British Art, New Haven, CT, USA)
William Blake, The Book of Job: When the Morning Stars Sang Together, 1820, watercolor, 280 x 179 mm (Pierpont Morgan Library, New York)
William Blake, Job and his Daughters, 1823-26, copper engraving, 217 x 170 mm (Tate Gallery, London)
William Blake, The Descent of Christ, 1804-20, etching with pen, watercolor and gold, 219 x 159 mm (Yale Center for British Art, New Haven, CT, USA)
William Blake, Job Confessing his Presumption to God who Answers from the Whirlwind, 1803-05, pen, ink and watercolor over pencil on paper, 393 x 330 mm (National Gallery of Scotland, Edinburgh)
William Blake, Songs of Innocence (title page), 1825, relief etching, handpainted with watercolor and gold, 152 x 140 mm (Metropolitan Museum of Art, New York)
William Blake, The Lovers' Whirlwind, Francesca da Rimini and Paolo Malatesta, 1824-27, pen and ink and watercolor, 374 x 530 mm (Birmingham Museum and Art Gallery)
William Blake, Christ as the Redeemer of Man, 1808, pen and watercolor, 496 x 393 mm (Museum of Fine Arts, Boston)
William Blake, Hecate or the Three Fates, c. 1795, pen and ink with watercolor, 439 x 581 mm (Tate Gallery, London)
William Blake, Adam and Eve Sleeping, 1808, p. Pen and watercolor on paper, 492 x 387 mm (Museum of Fine Arts, Boston)
William Blake, Elisha in the Chamber on the Wall, c. 1820, sepia wash over pencil, 243 x 210 mm (Tate Gallery, London)
William Blake, Satan Watching the Caresses of Adam and Eve, 1808, pen and watercolor on paper, 505 x 380 mm (Museum of Fine Arts, Boston)
William Blake, Elohim Creating Adam, 1795 (Tate Gallery, London)
William Blake, Isaac Newton, 1795, copper engraving with pen and ink and watercolor, 460 x 600 mm (Tate Gallery, London)
William Blake, Nebuchadnezzar, 1795, copper engraving with pen and ink and watercolor, 446 x 620 mm (Tate Gallery, London)
